Jazz Wyoming

Monday-Friday:12:00AM-11:30PM

From many Lou Williams to Miles Davis, Jazz Wyoming brings you the sounds jazz! Some people say that jazz is America's only true art form. It was born in America, among the black people who worked as slaves and made up music coming from the variety of cultures they came from.

Fast forward to today, and millions of people dance to, work to, pray to, and just sit back and listen to the distinct melodies, harmonies, rhythm, and rich improvisation that can take them anywhere into the imagination. Wyoming Public Media is proud to bring you Jazz Wyoming, a channel dedicate just to jazz. Here you'll find the greats, emerging artists, and occasionally the progressives that will take you right off the charts. You can also catch up on the news from NPR at the top of each hour. For those who enjoy keeping up with events in the jazz world, we also offer NPR's collection of stories and news items.

We hope you enjoy this channel – some listeners tell us that they stream it at work or at night in their homes. However you listen, please feel free to help continue this tradition. You are always welcome to make a gift in support of Jazz Wyoming! Donate here.

Watch and listen to live performances from NPR Jazz & Blues here

Jazz musicians have always faced systems of discrimination in America. One insidious example was the cabaret card, a form of identification required for any musician to work in a New York nightclub from 1940 to 1967. The New York Police Department administered these licenses and revoked them for any minor infraction. As a result, some of the biggest names in the music at the time, like Billie Holiday and Charlie Parker, lost their right to work at a crucial points in their careers.

If you saw the first Heat Check Live on NPR Music's Instagram this past weekend, you rocked with us for a live DJ set of all your favorite new songs. Afterward, New York-based artist Linda Diaz, whose work has been featured on Heat Check before, reminded us why we create spaces for the playlist to exist: "Community is invaluable. Black joy is radical," she wrote.

Jon Batiste spent his 33rd birthday playing an intimate, private concert with his band in the round while Jazz Night in America captured the show. He kept it classy, donning a suede jacket and playing selections from his two latest Verve releases, Chronology of A Dream and Anatomy of Angels.

Jimmy Cobb, The Pulse Of 'Kind Of Blue,' Dies At 91

May 25, 2020

Jimmy Cobb, whose subtle and steady drumming formed the pulse of some of jazz's most beloved recordings, died at his home in Manhattan on Sunday. He was 91.

The cause was lung cancer, says his wife, Eleana Tee Cobb.

Cobb was the last surviving member of what's often called Miles Davis' First Great Sextet. He held that title for almost three decades, serving as a conduit for many generations of jazz fans into the band that recorded the music's most iconic and enduring album, Kind of Blue.

From Lionel Hampton to Milt Jackson, to Bobby Hutcherson and beyond, every jazz generation has had its swinging heroes on the vibraphone. Since around the turn of the century, we've had a leading light in Stefon Harris.

Before the lockdown, harpist Brandee Younger and double bassist Dezron Douglas were constantly on the road, usually spending time apart as they toured with artists such as Makaya McCraven and Enrico Rava. This quarantine has allowed these college sweethearts to shine radiantly together as a duo.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Ambrose Akinmusire was in the eighth grade, a budding trumpeter in Oakland, Calif., when he made his first excursion to a jazz club. Through a radio contest, he'd won tickets to the local mainstay, Yoshi's, unaware of the creative portal he was opening.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Jazz and the visual arts have always enjoyed a mutually beneficial relationship. Last year the Jazz at Lincoln Center Orchestra with Wynton Marsalis put that bond front and center with an ambitious original program called Portraits of America: A Jazz Story.

Ben Markley

As people stay at home due to COVID-19, it's harder for musicians to play music together. And a lot of them miss it. So one Wyoming artist came up with a creative way to collaborate.

In this crazy quarantine moment, we're all frozen in place. Many of us are spending more time with our families and significant others than ever before. That goes double for musician couples, who regularly spend months apart from one another on tour — and some cases, those duos are connecting in ways they never anticipated. Jazz Night in America is providing an inner window into some of these creative partnerships with a new series: Alone Together Duets.

Jon Batiste came to the Tiny Desk with some surprises back in November of 2019. Midway through his set, he stopped to say, "it's the first time we're ever playing these songs, and it's the first time we're playing together." The New Orleans musician came to the Tiny Desk not with his late-night house band, but with an all-new cast. His all-female collaborators — Endea Owens on acoustic bass, Negah Santos on percussion, Sarah Thawer on drums, and Celisse Henderson on guitar and vocals — were an inspiration.

In an alternate timeline, I know precisely how I would have spent the evening of April 17. The dynamic South African pianist Nduduzo Makhathini had been booked for an album-release engagement at Dizzy's Club, the in-house nightclub at Jazz at Lincoln Center. I was looking forward to hearing his band in that room — not only because Makhathini's stateside appearances are few and far between, but also because the urgent, questing spirit of his music is something best experienced in person and in close quarters, as a form of communion.

Relative to other states, Louisiana experienced an early spike in COVID-19 cases and on March 16, the city of New Orleans issued social distancing guidelines that advised against gatherings of more than 10 people. That included funerals. When a few names on the deceased list hit close to home, Brass-a-Holics bandleader Winston "Trombone" Turner felt they needed to be honored like they would have been, ordinarily — with music.

Tom Misch and Yussef Dayes, whose new album What Kinda Music was released on Friday, are two "very different musicians," in the words of the latter. Dayes is a jazz drummer with a flair for the experimental, and Misch is a producer and guitarist whose dreamy R&B melodies pushed his 2018 debut Geography to be certified silver in the U.K.

On this episode of Jazz Night in America, we check out a concert from the archives that I just had to take a listen to. It features one of the greatest pianists ever, Monty Alexander, and my mentor and hero, the late bassist Ray Brown.

Lee Konitz, the prolific jazz saxophonist who maintained a singular style and devotion to improvisation throughout a career that stretched more than 70 years, died on Wednesday at Lenox Hill Hospital in New York at the age of 92. His son, Josh Konitz, confirmed to NPR that the cause was pneumonia related to COVID-19.

Andy González, a New York bassist who both explored and bridged the worlds of Latin music and jazz, has died. The 69-year-old musician died in New York on Thursday night, from complications of a pre-existing illness, according to family members.

Born and bred in the Bronx, Andy González epitomized the fiercely independent Nuyorican attitude through his music — with one foot in Puerto Rican tradition and the other in the cutting-edge jazz of his native New York.

Kandace Springs' third record is a source of familiarity in uncertain times. Titled The Women Who Raised me, it's full of beloved and recognizable songs associated with jazz artists who inspired and influenced Springs as an artist: Nina Simone, Billie Holiday, Lauryn Hill and Norah Jones, among many others. But the album is not only a tribute to some of those legends, it's also a showcase of Springs' talent for reinterpreting and seamlessly blending genres.

Bucky Pizzarelli, a tasteful sage of jazz guitar who spent the first phase of his career as a prolific session player and the last phase as a celebrated patriarch, died on Wednesday in Saddle River, N.J. Guitarist and singer John Pizzarelli, his oldest son and regular musical partner, said the cause was the coronavirus. He was 94.

When the subject of jazz comes up, the name Marsalis is soon sure to follow. Brothers Branford, Wynton, Delfeayo and Jason have all reached international fame. But before they found success, their father Ellis was shaping his own career and lighting the way for others to follow.

A few weeks ago, as the city of New Orleans was preparing to institute a stay-at-home order due to the coronavirus, Nicholas Payton got to work.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

The crowd at Clement's Place is primed. The acclaimed vibraphonist Stefon Harris and his band, Blackout, are onstage in this snug jazz club on the campus of Rutgers University in Newark, N.J. Harris has high ambitions. He seeks to use his instrument and his already considerable reputation to change the way people relate to each other — to create empathy. But on this night, he's also there to play.

Late last summer, saxophonist Joshua Redman engaged in some light time travel: For a couple of nights, he reconvened a stellar ensemble he'd led 25 years prior, with Brad Mehldau on piano, Christian McBride on bass and Brian Blade on drums.

"It definitely feels deeply odd to be thinking about an album rollout at this time," reflects pianist Aaron Parks. "But on the other hand, as a listener and as somebody who's affected by this as well, I know how much I'm needing to get my mind off of this."

Hometown: London, England

Genre: Jazz

"I think a part of growth in general is being comfortable in your own skin," Linda May Han Oh says, "and being comfortable with really who you are."

What that means in her case is manifold: A jazz bassist of undeniable authority, with the working affiliations to show for it; a Malaysia-born, Australia-raised resident of Harlem, N.Y.; a composer-orchestrator of burgeoning stature; an artist working to change perceptions of "women in jazz," both through positive action and just by being her bad self.

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