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The city of Montréal in the Canadian province of Quebec is known for a number of things: Great bagels, a thriving art scene, a certain je ne sais quoi. It's also home to the largest jazz festival in the world, the Festival International de Jazz de Montréal, which just celebrated its 40th anniversary.

Historians and critics have pored over the recordings of these jazz greats like Miles Davis, John Coltrane and Stan Getz so exhaustively, it might feel like they've left no stone unturned. And yet, fans are seeing a slew of exciting new discoveries lately from these and other artists — so-called "lost" albums by some of the biggest names in jazz.

Jazz Musician Peter Queal & Friends On Wyoming Sounds

Sep 6, 2019
Melaina Nielson

Peter Queal live on Wyoming Sounds recorded 9/6/19.

Fifty years ago this August, Miles Davis assembled a group of musicians to record the sprawling, groundbreaking album Bitches Brew. With the sounds of Jimi Hendrix, Sly & the Family Stone and James Brown in his head, Davis plugged in and brought these electric rock sensibilities to jazz.

Electric Miles. Few word pairings in the jazz lexicon are apt to inspire so much contention and challenge and ferment. What the phrase refers to, of course, is a period in the career of trumpeter Miles Davis, spanning the last third of his life. And while there are other important antecedents, the big bang of this period is an album recorded 50 years ago by the name of Bitches Brew.

"Jazz built for arenas."

A friend and former rock critic shared this admiring assessment of Sons of Kemet, after seeing the band for the first time at this year's Big Ears Festival. There's obviously truth in it: Over the last eight years, Sons of Kemet has not only fueled the fires of a raging London jazz scene; it has also scaled up the pyrotechnics, in strictly musical terms.

Cannonball Adderley was a mere 46 when he died, of a brain hemorrhage, in 1975. An alto saxophonist of robust intellect and irrefutable soul, he left a monumental legacy during his two decades in the spotlight — as a member of the Miles Davis Sextet, an exemplar of 1960s soul jazz and the leading avatar of a brand of post-bop modernism with popular appeal.

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Dev Hynes, also known as Blood Orange, has released a new music video for his song "Benzo." The video itself is a reima

Drummer/composer Mark Guiliana traverses many musical landscapes from modern jazz (Brad Mehldau), Tunisian oud music (Dhafer Youssef), Hasidic reggae (Matisyahu), or legendary rock (David Bowie.) However, these days, his primary mode for expression is displayed in two distinctly different sounding bands: the acoustic The Mark Guiliana Jazz Quartet and his electric Beat Music project.

Updated at 9:34 p.m. ET Saturday

João Gilberto, one of the principal architects of the Brazilian musical style bossa nova, has died at his home in Rio de Janeiro, according to a Facebook post by his son. João Marcelo Gilberto wrote that his father, who was 88 years old, died following an undisclosed illness.

How do you distill the spirit of the Monterey Jazz Festival into a single band? Considering the ethos of the annual event, the band was designed to be a celebration of diverse international talent, forward-thinking sensibilities and just plain killin' performances. For artistic director Tim Jackson, that was the task at hand in 2018, marking the festival's 60th anniversary.

Lou Donaldson, the alto saxophonist fondly known as "Sweet Papa," tends to characterize his colorfully sprawling life in jazz as the pursuit of a fundamental aim. "I always had my music geared to the people," he says. "'Cause when I played, I listened to what they were giving me the applause for."

This past May, New Orleans Jazz & Heritage Festival celebrated its 50th anniversary, attracting an estimated 475,000 people to its annual celebration of Louisiana music and culture. To mark this milestone, Smithsonian Folkways has released its Jazz Fest: The New Orleans Jazz & Heritage Festival box set that includes rare live recordings and photographs of the momentous gathering.

Some musicians don't have to expend much effort to achieve radiance. Camila Meza is one of these — a singer-songwriter and improvising guitarist originally from Santiago, Chile, and now a luminous fixture on the scene in New York. Ámbar, her major-label debut, just out on Masterworks, captures the deep synthesis in her music, with a chamber-jazz cohort she calls the Nectar Orchestra.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Bandcamp playlist at the bottom of the page.

There comes a moment in almost any performance by vibraphonist Joel Ross when he seems to slip free of standard cognitive functions and into a bodacious flow state. Invariably, he's in the midst of a heated improvisation. Maybe he's bouncing on his heels, or bobbing like a marionette. His mallets form a blur, in contrast to the clarity of the notes they produce. The deft precision of his hammering inspires a visual comparison to some tournament-level version of Whac-A-Mole.

Two eminent avant-garde elders, a chameleonic vocal improviser, and a pioneering community organizer and presenter will make up the 2020 class of NEA Jazz Masters, according to an announcement this morning by the National Endowment for the Arts.

The four incoming inductees — saxophonist Roscoe Mitchell, bassist Reggie Workman, vocalist Bobby McFerrin, and jazz advocate Dorthaan Kirk — will officially be recognized next April 2, during a tribute concert and ceremony at the SFJAZZ Center in San Francisco.

If you're even a casually observant jazz fan, you might think you know a thing or two about Joe Lovano. A tenor saxophonist with dozens of albums to his name, most of them made during a roughly 25-year tenure on Blue Note Records, Lovano is one of the most instantly identifiable musicians on the jazz landscape and on the New York scene. But he didn't come from nowhere.

Snarky Puppy is an incredible ensemble of musicians, a loosely-knit collective of funk, jazz and rock players founded in Denton, Tx. by bandleader Michael League. They've been at it since 2003, with a rotating group of touring musicians. How many? As many as 25 will cycle in and out over the course of the tour.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

Nashville may be the country music capital, but the industry for which its famous began in Atlanta. Now, a grassroots drive to preserve a historic downtown building is highlighting Atlanta's somewhat forgotten role in early roots music.

At 152 Nassau Street in Downtown Atlanta, an unmarked two-story rose brick storefront houses a piece of Atlanta's music history. This was the site of a pop-up recording studio in 1923.

As much as jazz could possibly have an inventor, that person would be Charles "Buddy" Bolden. But although he is celebrated as a seminal figure in jazz at the turn of the 20th century, very little is actually known about the African-American cornetist and composer's life. There are no existing recordings of Bolden, who spent more than 20 years in an asylum before his death in 1931.

Sixty years ago, this month, Miles Davis finished recording Kind of Blue, perhaps his greatest masterpiece and still jazz's bestselling album. But it was not the only milestone recorded that year.

Festival season is upon us. In the past week, Coachella Valley Music and Arts Festival hosted its 19th year of memorable performances, which also resulted in memorable releases.

During World War II, with thousands of men shipping off to war, half a dozen all-female, instrumental big bands toured around America. It was a rarity in a musical world dominated by men and, for the most part, their stories have been erased or minimized in jazz history.

A fire is coming from Flying Lotus. And David Lynch is fanning the flames. The Brainfeeder boss has shared "Fire is Coming" to fuel the announcement of the his upcoming album, Flamagra, due out May 24 via Warp Records.

The livestream has concluded.

Every year since 1982, the National Endowment for the Arts has presented its Jazz Masters award — a pinnacle of achievement in the form. The honor is presented to musicians and advocates who have made exceptional contributions to the advancement of jazz, and the 2019 class is no exception, as we'll see during tonight's live stream of this year's tribute concert, taking place at the John F. Kennedy Center For The Performing Arts in Washington D.C.

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