Suraya Mohamed

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

"I hope that you can enjoy this music because it can be heavy," drummer and bandleader Terri Lyne Carrington told the NPR crowd gathered for this Tiny Desk. "We've tried to figure out a way to make it feel good and still give these messages."

Here's a first: Steelpans at the Tiny Desk. It's true. Nearly a thousand performances into the series and the instrument has never been featured, until now. While the two bowls look shiny and new in this Jonathan Scales Fourchestra set, they were once authentic oil barrels, pounded, finished and tuned for bandleader, Jonathan Scales. But instrumentation and singularity aside, Scales' virtuosity, energy and connection to his bandmates wowed the NPR crowd, many of whom had never heard this music before.

Leslie Odom Jr. walked through the door with unassuming confidence and a big smile that brightened the room. Later, during his Tiny Desk performance, he recalled advice he'd received from a friend: "You have to get used to it — you are part of a cultural phenomenon in New York City," Odom said, before quipping, "I feel so blessed to be a part of Law & Order: SVU for three magnificent seasons."

Most people who don't know jazz can probably recognize the name of one of the genre's best singers: Ella Fitzgerald. Fitzgerald is one of the eight women at the center of this season of NPR Music's Turning the Tables, and she's arguably one of the most important vocalists not just in jazz but in the entire history of American music. With an exceptional vocal style, supreme technical capabilities and a spirited energy, she was "The First Lady of Song."

He should have been exhausted, but instead played the Tiny Desk with incredible stamina, holding a single trumpet note that lasted longer than most people can hold their breath. In the days just before this performance, Nicholas Payton played at the Joy of Jazz Festival in Johannesburg, South Africa, in Buenos Aires, Argentina, then Santiago, Chile and, finally, New York City. A member of his team drove them the four hours from NYC so he could nap in the car and be ready to play.

Standing behind the Tiny Desk with only pianist Sullivan Fortner by her side, jazz singer Cécile McLorin Salvant remarked that she hadn't been this nervous in a while. But it was hard to tell: She embraced the discomfort with ease, taking command of the space with a calm demeanor and spiritual presence that felt both humble and persuasive.