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Feb 17 Friday
Wyoming Wilderness Association is proud and excited to bring you even more backcountry film festival (BCFF) this year!
BCFF is a production of Winter Wildlands Alliance, who work "to inspire and empower people to protect America’s wild snowscapes."
The mission of the BCFF is "to inspire the human-powered spirit through stories of activists, adventurers, and the outdoors."
So please join us at one of your local BCFF showings to get stoked on winter backcountry adventures and support your Wyoming public wildlands!
Feb 24 Friday
Feb 25 Saturday
Feb 26 Sunday
Mar 05 Sunday
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’ The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’ poignant and powerful score.
This rebroadcast is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe. This series is supported in part by Center for the Arts.
Mar 18 Saturday
Lander Opera Group is again pleased to present the HD Live Metropolitan Opera performance of Lohengrin. This opera was composed by the Richard Wagner.
Apr 01 Saturday
Lander Opera Group is pleased to present another HD Live transmission from the Metropolitan Opera, the Saturday matinee performance of FALSTAFF, an opera by Giuseppe Verdi. Lunch is available for purchase from the Breadboard.
Jun 11 Sunday
One of opera’s most beloved works, Die Zauberflöte (The Magic Flute), receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.”
Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable.