Community Calendar

Nashville-based, Oregon-born Mat Kearney is back with his self-titled eighth studio album. Over his career, Kearney has released seven studio LPs, claimed the #1 spot on iTunes, topped multiple Billboard charts, made four entries into the Hot 100, and amassed over 2.5 BILLION global streams. Kearney, a Multi-Platinum songwriter and producer, has performed live on The Tonight Show, Letterman, and Jimmy Kimmel Live!, garnering rave reviews from USA Today, Entertainment Weekly, People, Billboard, Parade, and Marie Claire. He also has an incredible touring history, sharing the road with everyone from John Mayer to NEEDTOBREATHE.

Join us for dinner and a show with The Two Tracks, Friday, January 30th. Bar opens at 5:30 pm with dinner to follow. Concert begins at 7 pm with SC student group City of the Monkey God opening, in Kinnison Hall. Dinner is already sold out but concert tickets remain.

Rooted in the wide-open landscapes of Wyoming, The Two Tracks create music that fuses rich storytelling, soulful harmonies, and the spirit of the American West. Led by songwriters Julie and Dave Huebner—with Taylor Phillips on bass and Fernando Serna on drums—the band has carved out a sound that nods to ’70s Americana while forging something entirely their own. Dave’s signature cello playing, woven into the band’s strong harmonies, brings a distinctive edge that sets them apart.

Fresh off a trip to Nashville to record their 5th album, they’ll be performing a mix of brand new material and favorites from their past four records.

Led by GRAMMY®-nominated violinist Jeremy Kittel, Kittel & Co. stands at the forefront of American acoustic music. Hailed as "a stunning melting pot of classical and folk music” (Earmilk), the genre-bending ensemble draws inspiration from Celtic, bluegrass, jazz and classical music to create an unforgettable sound all their own.

Benjamin Tod, a Nashville native and the former leader of the Lost Dog Street Band, says of his latest project, “Most of my career has been laser-focused on poetic, piercing songwriting in mainly a folk tradition. I wanted to prove to myself and the industry that I could write an elite country record with ease. Either way, if I didn’t accomplish that goal, I sure as hell came closer than anyone on pop country radio.”