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Forward in Motion: an intermediate dance composition showing - Laramie

Forward in Motion: an intermediate dance composition showing - Laramie

Forward in Motion: an intermediate dance composition showing is a collection of works to be presented by seniors and juniors of the Theatre and Dance department. These works will be a culmination of ideas, aesthetics, and in the world of choreography. Showcased will be works of modern, contemporary and jazz dance that will take you on an emotional journey.

The following pieces are to be presented:

Jocelyn Alvarado, choreographer of “Apocalypse” says she is excited for this work to be shown because she feels as though it is relatable for all because we may take things for granted in our daily lives. Therefore, let me leave you with a question; What if you woke up tomorrow and the world was gone? No more family, school, work, etc.

Jackson Ellison, choreographer of “Extravaganza!” says, this piece symbolizes the power and stance of a girl group, as well as experiments with the upbringing of vogue/ballroom culture of the 80's and 90's.

Jackson Ellison, choreographer of “interconnection.” his senior project states this work reflects and refines the relationships that an individual encounters in their lives, whether it is family, friends, strangers, mentors, etc. There is a heavy dynamic and development between these different types of individuals, whether it is positive, negative, or neutral. An individual can also feel lost or isolated with these different relationships, as they can be perceived as “different” or “unusual” from the rest. The development of interconnections with others is crucial.

Melissa Gleason, choreographer of “R.E.M” says this dance looks into the world of insomnia. In efforts to fall asleep sleep is personified to get various insomniacs to fully fall asleep

Hanna Needles, choreographer of “Embodied Resonance” states that the piece examines the concept of kinesthetic empathy through the lens of feminism. I am excited for this work to be shown because it explores the transformative potential of movement to connect and empower individuals.

Inez O’Connor, choreographer of “House of Mirrors” says it is a representation of reflections and mirrors utilizing dancers in space. The expressed idea is representing the different sides to a person and how these different versions are still one.

Lizzie McFall, choreographer of “Bara (Definition: Created, Origin: Hebrew)” says it is based on “The Teacup Story” which follows the journey of the creation of a teacup. The teacup goes through many trials of being created wondering why the master forming it seems to be ignoring it. Then the teacup sees what a beautiful being it is and the master explains that they had to put the teacup through what felt like torture in order for it to be formed properly into what it was meant to be

University of Wyoming, Arts and Sciences Auditorium
02:00 PM - 11:59 PM on Sun, 5 May 2024

Event Supported By

University of Wyoming Department of Theatre and Dance
3077665100
kirisk@uwyo.edu
University of Wyoming, Arts and Sciences Auditorium
200 N 9th St.
Laramie, Wyoming 82072