Classical 24

Bach, Beethoven, and Brahms, in Wyoming! Would you believe that Wyoming is one of a handful of states that has a 24-hour classical music channel? Maybe it's the vast open spaces and the overwhelming mountains that speak in a profound way and connect us to the majesty found in centuries of classical repertoire. 

Classical Wyoming draws from the nationally acclaimed Classical 24 series that explores repertoires from pre-Baroque to today's contemporary composers. Hosts carefully craft each broadcast. Lively, engaging, and knowledgeable, they illuminate the music they present with well-researched insightful information. Each program excites classical music novices and aficionados alike.

For those who enjoy keeping up with events in the classical world, we offer NPR's collection of stories and news items. In addition, you'll find information about our Metropolitan Opera Broadcasts, as well as other tid-bits of news. 

Indeed, classical music thrives in Wyoming. Let the curtain rise!

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Until recently, most classical music videos have been humdrum affairs. Musicians, in concert attire, earnestly produce their notes with eyes closed and heads tilted in a beatific expression, somewhere between a migraine and an attempt to channel Bach from the heavens.

Two additional women, violinists Emilia Mettenbrink and Raffaela Kalmar, have made allegations of sexual misconduct against violinist William Preucil, the concertmaster of the Cleveland Orchestra and a now-former instructor at the Cleveland Institute of Music (CIM). Their accusations were printed in the Cleveland Plain Dealer on Sunday.

Three years after his death, my father, virtuoso violinist Roman Totenberg, made headlines all over the world when his beloved Stradivarius violin, stolen 35 years earlier, was recovered by the FBI. The story struck the hearts of so many, I think, because in such turbulent times, it was rare good, even joyful, news. And the mystery of where it had been, was finally solved.

Over two decades ago in 1997, when violinist Hilary Hahn was 17, she made a celebrated recording debut, Hilary Hahn Plays Bach. That year, Hahn told NPR about her enthusiasm for Bach's music.

"There's nothing I really wanted to record more than Bach," Hahn said. "I can work on it for a long time and keep discovering more things that surprise me every time."

Yo-Yo Ma is one of the greatest cellists of all time. His relationship with the music of Bach is widely known, but he paid tribute to another artist during his set: Pablo Casals. The Spanish cellist discovered the Bach suites in a music store in 1890 and brought them to modern attention.

Two of the country's oldest and most venerated music institutions, the New York Philharmonic and the Metropolitan Opera, are beginning their seasons with a change in artistic leadership. Both organizations are grappling with 21st century issues of bringing new audiences in and convincing them that centuries-old music forms are central to their lives today.

Despite being one of the first and oldest forms of popular music, opera sometimes struggles to connect with 21st century audiences. However, Anthony Roth Costanzo is breaking down the genre's stodgy stereotype and making opera more accessible — taking his distinctive sound to the masses, from a sixth-grade classroom in the Bronx to NPR's own Tiny Desk.

University of Wyoming

The 2018-2019 Symphony Orchestra season at the University of Wyoming is shaping up to be a magical one. Literally. This season will have pieces inspired by famous magical stories such as “A Midsummer Night's Dream” and “The Nutcracker”.

The New York Philharmonic announced Sunday that it has taken action against two prominent musicians over unspecified "misconduct": the orchestra's principal oboist, Liang Wang, and its associate principal trumpeter, Matthew Muckey.

The orchestra said the decision came after a five-month internal investigation, led by a former federal judge. Both musicians dispute the Philharmonic's findings, and while the musicians' union reviews the orchestra's decision, the two have been placed on unpaid leave.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.


This week marked one of the biggest dates on the American sports calendar: the start of a new NFL regular season, with the Super Bowl champion Philadelphia Eagles hosting the Atlanta Falcons. But there was a third player in the game, too — a musical one.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

When George Li, the 23-year-old American pianist, revealed his Tiny Desk setlist, one thought came to mind: How will these powerhouse showstoppers sound on an upright piano? The music he intended to play, by Franz Liszt and Vladimir Horowitz, was designed for a real, 7-foot concert grand piano – the kind they used to call "a symphony orchestra in a box."

Renée Fleming is becoming America's go-to singer. The celebrated soprano, who has performed at a broad range of high-profile events off the opera stage, is scheduled to sing at Senator John McCain's memorial service this Saturday at Washington's National Cathedral.

Fleming is slated to sing the Irish standard "Danny Boy" — at McCain's request — alongside tributes to the late Senator by Presidents Barack Obama and George W. Bush, and a homily by Bay Area Catholic leader Father Edward A. Reese.

A few weeks before the 2016 presidential election, composer Gabriel Kahane decided he needed to take a journey. On Nov. 9, 2016, the day after the votes were counted, Kahane boarded an Amtrak train in Penn Station in New York City. He left his smartphone behind. He unplugged from the Internet. And he spent the next two weeks riding across the country, talking to people.

Jamie Bernstein can't call her childhood a typical one. On any given weekend, she might find Lauren Bacall, Isaac Stern, Richard Avedon, Mike Nichols, Stephen Sondheim, Lillian Hellman or Sidney Lumet hanging out at her house. Jamie's father was Leonard Bernstein.

There has never been an American dynamo remotely like Leonard Bernstein. The composer, conductor, pianist, creator of musicals, educator, political maven and raconteur seemed to spin on his axis faster than any normal human being.

Updated Nov. 1 at 9:31 a.m. ET

Yo-Yo Ma opened his recent Tiny Desk concert with the gently rolling "Prelude" from J. S. Bach's Unaccompanied Cello Suite No. 1. It's music Ma has lived with nearly all of his life.

"Believe it or not, this was the very first piece of music I started on the cello when I was four years old," he told the crowd, tightly squeezed between the office furniture on NPR's fourth floor.

Why did Laurence Olivier return so often to Shakespeare's Othello? Why did Ansel Adams keep photographing the Grand Canyon? Obsessed or awestruck, artists revisit great inspirations because they believe there is yet another story to tell – about life, about themselves.

The Minnesota Orchestra will play one of its most important gigs of the year this month — at the Regina Mundi Catholic Church in Soweto, South Africa. In doing so, it will become the first major U.S. orchestra to visit that city. The performance is part of a year of celebrations recognizing the centennial of Nelson Mandela's birth. It makes sense for the orchestra to play in the community central to the freedom struggle which brought down apartheid.

The Royal Concertgebouw Orchestra of Amsterdam, considered one of the world's top orchestras, has fired its conductor, Daniele Gatti, after two women publicly accused him of sexual misconduct. A statement published Thursday on the orchestra's website notes that it has "terminated the cooperation with chief conductor Daniele Gatti with immediate effect."

In June, NPR reported the Philadelphia Orchestra's admission that it had not programmed a single piece of music composed by a woman for its upcoming 2018-19 season. Jeremy Rothman, the orchestra's vice president of artistic planning, said at the time the omission was "obviously a blind spot and an oversight."

Until last Thursday, violinist William Preucil was one of Cleveland's most lauded and visible music stars. For more than two decades, he has served as concertmaster of the Cleveland Orchestra, one of the top orchestras in the U.S., while teaching at the prestigious Cleveland Institute of Music (CIM) conservatory, where he was a nationally known instructor. Prior to joining the Ohio symphony, Preucil was the first violinist in the Cleveland Quartet, which won a Grammy during his tenure.

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