Classical Wyoming

Adrianne Lenker is the guitarist and singer for the Brooklyn, N.Y.-based rock band Big Thief. Cecilia Bartoli is the Italian opera singer who thrives on neglected repertoire from the 18th century. The two women might seem like strange bedfellows, but they come together in our series titled "highly specific superlatives," a kind of drilling down to some of the finest and most precise moments in the arts in 2019.

Every Christmas Eve at exactly 3 p.m., the Chapel of King's College in Cambridge, England plays A Festival of Nine Lessons and Carols. The tradition began in 1918, and for decades it's been broadcast on the BBC and around the world. A commemorative recording of last year's Centenary Service has just been released; it was the last one conducted by Sir Stephen Cleobury, the choir's music director for 37 years, who died just last month on Nov. 22.

You have to be looking for Juan Pablo Mijares’s violin shop to find it. The storefront is tucked deep behind an alleyway in downtown Colorado Springs. Small details make the place feel decidedly old world, from the carved wooden sign above the entrance to the plink of violin strings that serve as door chimes. On a recent visit to Mijares’s shop, he says some of his customers declare the place is even otherworldly.

At the height of the Cold War in 1958, Van Cliburn, a curly-headed kid from Texas, won the International Tchaikovsky Competition. He was hugged by Nikita Khrushchev and heralded like Elvis Presley when he returned.

Traditions worth saving still need need practitioners and advocates who are willing to propel them forward. Classical music boasts a long, rich history — about 1000 years — of transformation, adaptation, tumult and triumph. From radical, boundary-bashing composers to brave and bold interpreters, the music has remained vibrantly alive even as prognosticators routinely forecast its demise.

Ever since Beethoven's iconic Ninth Symphony premiered May 7, 1824 at the Theater am Kärntnertor in Vienna, it has remained arguably the most popular composition in the classical music canon, thanks largely to its final movement, the "Ode to Joy," with a text by poet Friedrich Schiller.

But Beethoven's music has become something much more than popular. With its expansive length, mold-busting design, and the inclusion of solo singers and chorus, he was proposing nothing less than a philosophy for humanity.

One of opera's leading men, Italian tenor Vittorio Grigolo, was dismissed Thursday by two of the world's most prestigious houses: the Royal Opera in London and New York's Metropolitan Opera.

His firing comes after an investigation by the Royal Opera [RO], which determined that he had demonstrated "inappropriate and aggressive behavior" during an RO tour of Japan in September.

One of classical music's most beloved conductors has died: Latvian-born Mariss Jansons, who was age 76 at his death on Saturday in St. Petersburg, Russia.

Jansons had long had a heart condition, which first became known when he collapsed on the podium while conducting in Norway more than 20 years ago.

Cecilia Bartoli isn't your average opera star. She doesn't sing many of the popular 19th century operas. Instead, she prefers to explore the dusty, little-known corners of the 18th century.

Bartoli's new album is devoted to music written for a single artist of the Baroque era named Farinelli. He was the most acclaimed opera singer of the mid-1700s, the rock star of his day, singing some of the most virtuosic music ever written for the human voice.

Peter Gelb has not enjoyed a particularly smooth tenure as the general manager at New York's Metropolitan Opera. But the company's board expressed its faith in him on Monday by extending his contract through 2027.

The agreement — which arrived a full two and a half years before Gelb's current contract expires — signals the board's strong commitment to Gelb, who earned some $2.17 million in combined pay and benefits during the company's last reported financial year.

In a career – and personal life – loaded with enough drama to fuel an opera, Kanye West is finally presenting one. Or at least that's what he tweeted Sunday, announcing a performance of Nebuchadnezzar, "A Kanye West Opera" at the Hollywood Bowl on Nov. 24.

Gabriela Ortiz's Yanga had its world premiere late last month at the Walt Disney Concert Hall in Los Angeles. Ortiz is one of Mexico's most sought-after classical composers and her work has been performed by musicians all over the world, from soprano Dawn Upshaw to the Royal Liverpool Philharmonic to Kronos Quartet.

For Alzheimer's Awareness Month, accomplished flutist Eugenia Zukerman has released a new book called Like Falling Through a Cloud: A Lyrical Memoir. It chronicles her internal and emotional journey since a diagnosis of "cognitive difficulties" three years ago.

Just this past September, Zukerman was playing Claude Debussy's "Syrinx" — a piece she figures she's played more than 20,000 times since the age of 10 — when she drew a sudden blank. So although she can't always find the notes these days, Zukerman is persistent in finding the words.

On November 8, singer Anthony Roth Costanzo will take center stage at the Metropolitan Opera, debuting as the star of a new production of Philip Glass' opera Akhnaten. It's a remarkable turn for a celebrated singer who nearly lost his voice to thyroid cancer.

The new movie Joker is a psychological character study of a lonely, disturbed man who turns violent. Dark, chaotic, unconventional — all descriptions that would make sense for a movie about one of the most infamous and unpredictable villains in comic book history. But in fact, director Todd Phillips wanted this Joker, played by Joaquin Phoenix, to inspire empathy. To give this comic book character human depth, director Todd Phillips brought in a composer who could transform darkness into sensitive musicality.

One of the most prominent composers of the late 20th century has died. Giya Kancheli was from Georgia — and the music he wrote, whether for films or for the concert hall, was full of light, shade and an incandescent longing. He died Wednesday at age 84 in his home city, the Georgian capital of Tbilisi. Kancheli's death was announced by his longtime record label, ECM; his son, Sandro Kancheli, told NPR that his father had suffered from heart failure for a long time.

Updated at 3:43 p.m. ET

The embattled opera singer Plácido Domingo resigned Wednesday as general director of LA Opera, the company that he helped found and that he led for more than 15 years. The news broke in the midst of two formal investigations into accusations of sexual misconduct made by 20 women about alleged incidents that took place between the 1980s and the 2016-2017 performance season.

Domingo is also withdrawing from all scheduled appearances there, including a run of Gaetano Donizetti's Roberto Devereux next February and March.

Updated at 10:07 p.m. EDT

On Tuesday afternoon, at 5:07 p.m., Metropolitan Opera general manager Peter Gelb sent an email to staff that began this way:

"Dear Members of the Company,

Plácido Domingo has agreed to withdraw from all future performances at the Met, with immediate effect. We are grateful to him for recognizing that he needed to step down."

The Royal Opera [RO] in the U.K. — one of the most prestigious opera companies in the world — has suspended a star tenor, Vittorio Grigolo, after an incident that allegedly took place last week during the company's performance tour of Japan.

The Baltimore Symphony Orchestra is back. Orchestra officials and musicians held a joint news conference Monday, on stage at Meyerhoff Symphony Hall, to announce the ratification of a one-year contract that effectively ends a 16-week showdown between the two groups.

"I'm thrilled that an agreement has been reached," BSO music director Marin Alsop said in a statement announcing the new contract, "and that we will have our musicians back on stage to open our 104th season beginning on Friday night."

Updated Tuesday 9:27 a.m. ET

Composer Christopher Rouse, who once called himself a writer of "fast and furious" music and who taught courses in the history of rock, died Saturday of complications of renal cancer at age 70.

The other day, I went down to the National Mall here in Washington, D.C., and heard the sound of hope in sweet, strong, young voices.

A youth choir and chamber ensemble from Haiti are on a U.S. tour that's taken them from Maine to Manhattan to Kentucky over the past month. This stop was in a lush garden of the Smithsonian museums. The tour is meant to showcase Haiti's rich musical heritage — and to raise awareness of the country's rebuilding efforts.

Next Wednesday evening, Plácido Domingo, the opera megastar who has recently been accused of sexual misconduct by 20 women, is scheduled to start a run of performances of Verdi's Macbeth at the most famous opera house in the United States: New York's Metropolitan Opera.

When the first enslaved Africans landed on American shores in 1619, their musical traditions landed with them. Four centuries later, the primacy of African American music is indisputable, not only in this country but in much of the world. How that music has evolved, blending with or giving rise to other traditions — from African songs and dances to field hollers and spirituals, from ragtime and blues to jazz, R&B and hip-hop — is a topic of endless discussion.

With a season-opening concert slated for Saturday, Baltimore Symphony Orchestra musicians and its management are still locking horns over details of a new contract agreement. A bargaining session ended Monday night with no resolution, only a set of last minute proposals from management which players will vote on Tuesday night.