Classical 24

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Classical programming brings listeners some of the most beautiful music in the world. Drawn from the heart of the Classical and Romantic repertoires, our programs create the perfect radio companion for lovers of good music.

Hosts carefully craft each broadcast. Lively, engaging, and knowledgeable, they illuminate the music they present with well-researched insightful information, taking care that every program is accessible and stimulating for novices and aficionados alike. 

 

 

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The Metropolitan Opera

 

The 88th season broadcasts with the Toll Brothers–Metropolitan Opera International Radio Network is now airing on Classical Wyoming. The Met’s 2018–19 season will feature 25 works across a wide range of repertory, including the return of the Ring cycle for the first time in six seasons. 

May 18th at 11:00 a.m. - National Council Auditions Grand Finals Concert

Credit Metropolitan Opera

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I've watched a lot of Tiny Desk concerts over the years. It's good to see musicians in the raw, away from stage lighting and backing tracks — as if they've just stopped by an office to play over a lunch break, with desk-bound employees watching on. The performances should expose flaws, but instead they tend to expose musicians being casually brilliant, like the members of Ensemble Signal, who certainly play these pieces beautifully.

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When the intrepid string quartet known as Brooklyn Rider first visited the Tiny Desk nine years ago, no one knew what the musicians might play. They're as likely to trot out an Asian folk tune as they are a string quartet by Beethoven, or one of their own compositions.

With a reverence for classics and an experimental spirit, Kelsey Lu is broadening the scope of how strings fit into contemporary pop. Lu's debut album, Blood, out now, is a mash-up of disco, R&B, pop and more that's rooted in her adoration of strings.

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Franz von Suppé was born on 200 years ago — April 18, 1819 — in what is now Croatia, but he went to Vienna a

The Royal Concertgebouw Orchestra, the leading symphony orchestra in the Netherlands, and its former chief conductor, Daniele Gatti, have come to a mutual agreement over the conductor's dismissal last August.

Tuesday the orchestra issued a statement on its website, claiming that "matters between the two parties have been resolved following extensive discussions."

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If just one thing can be confirmed from these compelling Tiny Desk performances by the Calidore String Quartet, it should be that the centuries-old formula – two violins, a viola and a cello – is still very much alive and evolving. Indeed, an impromptu show of hands in the audience before the concert began revealed that almost everyone had seen a string quartet perform live.

Caroline Shaw's new album, Orange, is a love letter to the string quartet. The North Carolina native burst onto the music scene in 2013, when she was the youngest composer to win a Pulitzer Prize. She's still in her 30s and now, for the first time, there's a recording devoted entirely to her work.

Ellen Reid, a 36-year-old composer, won the Pulitzer Prize in Music on Monday for her opera p r i s m. The Pulitzer jury described the winning piece as a "bold new operatic work that uses sophisticated vocal writing and striking instrumental timbres to confront difficult subject matter: the effects of sexual and emotional abuse." The two other finalists were Sustain, an orchestral work by Andrew Norman, and Still for solo piano by James Romig. Reid is the fourth woman to earn the prize since 2013.

In January 2018, the Hungarian State Opera in Budapest was widely criticized for staging the George Gershwin opera Porgy and Bess — whose story wrestles with racism, drug abuse and poverty — with a predominantly white cast, despite the fact that the Gershwin estate requires performances to feature an all-black cast.

Now, the Hungarian production is back for another series of performances of Porgy this month — and its nearly all-white cast was reportedly asked to sign testimonials saying that they were African-American.

Ever since he was a little boy, Yannick Nézet-Séguin knew he wanted to be a conductor. He likens the feeling to something "almost like a religious call."

"Making music in the group is what animates me," he says.

No composition seems too difficult for pianist Lang Lang. But on his latest solo record, Piano Book, the 36-year-old known for his finger-twisting virtuosity is exploring something simpler: Beethoven's "Fur Elise," Debussy's "Clair de Lune" and other pieces that accompanied him in the first few years of a lifelong love-affair with the instrument.

Christine Goerke is focused on endurance. The dramatic soprano is tackling one of the most challenging roles in opera: singing Brünnhilde, the Valkyrie maiden warrior, in Richard Wagner's epic, Der Ring des Nibelungen, at New York's Metropolitan Opera. Otherwise known as the Ring cycle, the 16-hour saga spans four operas and tells the story of gods, monsters, humans and an insatiable urge to own an all-powerful golden ring.

Listening to Mozart may help drastically reduce pain and inflammation, according to a new study from researchers at University of Utah Health published in the peer-reviewed journal Frontiers of Neurology.

On Tuesday, a New York State Supreme Court judge dismissed most of conductor James Levine's claims in a defamation suit the former music director of the Metropolitan Opera filed against his former employer and its general manager, Peter Gelb.

Pianist Jeremy Denk's latest album is a musical odyssey. Starting with the austere tones of medieval composer Guillaume de Machaut, Denk travels in time across the keyboard all the way to the 20th Century landing on the atonality of Karlheinz Stockhausen and the minimalism of Philip Glass.

In Chicago, musicians have gone on strike. The players in the Chicago Symphony Orchestra, one of the country's top orchestras, let their contract expire on Sunday, March 10, and performances scheduled for this week have already been canceled.

Fans of Hector Berlioz — and record companies, it appears — need no excuse to celebrate the music of the pioneering French composer and quick-witted music critic. The sesquicentennial of Berlioz's death falls on March 8, and to mark the occasion, Warner Classics has released a 27-CD box containing, purportedly, every forward-thinking note the composer ever wrote.

André Previn, a celebrated musical polymath, died Thursday morning; he was a composer of Oscar-winning film music, conductor, pianist and music director of major orchestras. His manager, Linda Petrikova, confirmed to NPR that he died at his home in Manhattan.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.

The beloved American baritone Sanford Sylvan died Tuesday at his home in Manhattan. Lenore Sylvan, the singer's mother, along with his sister Gwen Sylvan and brother Seth Sylvan confirmed the death to NPR Thursday morning. Marc Mandel, a close family friend and director of program publications at the Boston Symphony Orchestra, said that the death was "entirely sudden" and that it was "deemed to be of natural causes." Sylvan was 65.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.

Opera star David Daniels and his husband, conductor Scott Walters, were arrested Tuesday night in Ann Arbor, Michigan on charges of sexual assault. Representatives of the men and the Houston Police Department confirmed to NPR that the two are currently being held in Ann Arbor and are awaiting extradition to Texas.

In 1933, the Chicago Symphony Orchestra gave the world premiere of Symphony No. 1 by a then little-known composer named Florence Price. The performance marked the first time a major orchestra played music by an African-American woman.

Price's First Symphony, along with her Fourth, has just been released on an album featuring the Fort Smith Symphony, conducted by John Jeter.

operawyoming.org

Opera singers trained in Las Vegas and New York City have started a new company in Wyoming. Daniel Quintana and his wife, Emily Quintana, cofounded Opera Wyoming. The company continues its first season with "Shakespeare Goes to the Opera" on Friday, January 25, at the Nicolaysen Art Museum in Casper. Wyoming Public Radio's Erin Jones spoke with Daniel Quintana.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.

Conductors, like most music lovers, keep discovering music that is new to them. My own latest discovery is the Turangalîla-Symphonie, a mind-blowing 75-minute orchestral piece by Olivier Messiaen, written in the 1940s. It's a rare treat for me to be able to work on a piece from the middle of the 20th century that I have never even heard performed live.

How do you play an instrument you never physically touch? Watch Carolina Eyck. She's the first to bring a theremin to the Tiny Desk. The early electronic instrument with the slithery sound was invented almost 100 years ago by Leon Theremin, a Soviet scientist with a penchant for espionage. It looks like a simple black metal box with a couple of protruding antennae, but to play the theremin like Eyck does, with her lyrical phrasing and precisely "fingered" articulation, takes a special kind of virtuosity.

Opera star Renée Fleming drew concern last year after a New York Times profile suggested the acclaimed soprano would be retiring. Luckily for fans, it turned out to be a false alarm.

Italian singer Andrea Bocelli is a superstar. The Grammy- and Emmy-nominated tenor is one of the highest-selling vocalists in music. In 1999, Bocelli scored a Guinness World Record for simultaneously holding the No. 1, 2 and 3 spots on Billboard's Classical Top 10 chart. Since then, Bocelli has collaborated with everyone from Celine Dion to Ariana Grande. But on his latest album, Sì, Bocelli tries something he finds really daunting — recording with his 21-year-old son, Matteo.

Growing up in Chicago, Rachel Barton Pine took it for granted that there was a great body of classical music by black composers. She heard it on the radio. She played it in local orchestras as a student. The Center for Black Music Research is in Chicago. So, when the violinist recorded her first concerto album in 1997, she naturally included music by Afro-Caribbean and Afro-European composers.

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