Classical 24

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Classical programming brings listeners some of the most beautiful music in the world. Drawn from the heart of the Classical and Romantic repertoires, our programs create the perfect radio companion for lovers of good music.

Hosts carefully craft each broadcast. Lively, engaging, and knowledgeable, they illuminate the music they present with well-researched insightful information, taking care that every program is accessible and stimulating for novices and aficionados alike. 

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Live From The Grand Teton Music Festival 2018

Grand Teton Music Festival Concerts

 

Recorded live at Walk Festival Hall in Teton Village airing Wednesday nights at 8:00 p.m. on Wyoming Public Radio and Classical Wyoming. Repeats Sunday afternoons at 4:00 p.m. on Classical Wyoming. Find out how you can listen here.  

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The Metropolitan Opera

 

The 88th season broadcasts with the Toll Brothers–Metropolitan Opera International Radio Network, returns December 2018. 

The Met’s 2018–19 season will feature 25 works across a wide range of repertory, including the return of the Ring cycle for the first time in six seasons. 

  

Yo-Yo Ma opened his recent Tiny Desk concert with the gently rolling "Prelude" from J. S. Bach's Unaccompanied Cello Suite No. 1. It's music Ma has lived with nearly all of his life.

"Believe it or not, this was the very first piece of music I started on the cello when I was four years old," he told the crowd, tightly squeezed between the office furniture on NPR's fourth floor.

Why did Laurence Olivier return so often to Shakespeare's Othello? Why did Ansel Adams keep photographing the Grand Canyon? Obsessed or awestruck, artists revisit great inspirations because they believe there is yet another story to tell – about life, about themselves.

The Minnesota Orchestra will play one of its most important gigs of the year this month — at the Regina Mundi Catholic Church in Soweto, South Africa. In doing so, it will become the first major U.S. orchestra to visit that city. The performance is part of a year of celebrations recognizing the centennial of Nelson Mandela's birth. It makes sense for the orchestra to play in the community central to the freedom struggle which brought down apartheid.

The Royal Concertgebouw Orchestra of Amsterdam, considered one of the world's top orchestras, has fired its conductor, Daniele Gatti, after two women publicly accused him of sexual misconduct. A statement published Thursday on the orchestra's website notes that it has "terminated the cooperation with chief conductor Daniele Gatti with immediate effect."

In June, NPR reported the Philadelphia Orchestra's admission that it had not programmed a single piece of music composed by a woman for its upcoming 2018-19 season. Jeremy Rothman, the orchestra's vice president of artistic planning, said at the time the omission was "obviously a blind spot and an oversight."

Until last Thursday, violinist William Preucil was one of Cleveland's most lauded and visible music stars. For more than two decades, he has served as concertmaster of the Cleveland Orchestra, one of the top orchestras in the U.S., while teaching at the prestigious Cleveland Institute of Music (CIM) conservatory, where he was a nationally known instructor. Prior to joining the Ohio symphony, Preucil was the first violinist in the Cleveland Quartet, which won a Grammy during his tenure.

On Friday, the Cleveland Orchestra suspended one of its star performers, violinist and concertmaster William Preucil, over allegations of sexual misconduct published Thursday by the Washington Post.

Fifty years ago, a group of six guys walked on a London stage to perform for the first time as The King's Singers. They were choral scholars and graduates from King's College, part of England's venerable Cambridge University.

It's as if the pianos were haunted. Somewhere about midway through this Tiny Desk, as Icelandic composer Ólafur Arnalds performed on his electronic keyboard, two upright pianos were playing lilting melodies behind him, absent any performer at the keys. And yet these "ghosts," along with Ólafur's band of strings and percussion, put together some of the most beautiful music I've heard at the Tiny Desk, made all the more mysterious through its presentation.

Icelandic composer Ólafur Arnalds was in a hotel lobby somewhere in Asia when he first saw a modern version of a player piano. This particular one was tapping out The Beatles' "Yesterday."

Composer and conductor Oliver Knussen, one of Britain's most influential contemporary classical figures, died Sunday, July 8, at the age of 66. His passing was announced by his publisher, Faber Music, but no cause of death was given.

Boston Symphony Orchestra principal flutist Elizabeth Rowe has filed a lawsuit against the orchestra, claiming that she is making substantially less each year than her closest peer — a man.

Max Richter's music seems ready-made for movies – and that's not in any way a put down. The music is powerful on its own, but certain pieces take on new depth when paired with well-designed visuals.

Here is a music video in which the things you don't see or hear are almost as important as the things you do.

The Women's March and #MeToo movement have helped raise the volume for women's voices across the country. But one place where women still struggle to be heard is in America's symphony halls. Take a look at which composers the top U.S. orchestras are performing in the upcoming season, and you will find some surprising disparities.

The sun's season became official this past weekend — so what do you want to hear? Rooftop bops? Windows-down coasters? Sweated-through squall?

Back at the beginning of time, the human voice was the very first instrument. Probably close in second place were folks banging on stuff – in other words, percussionists. The quartet of gentlemen who form the Chicago-based Third Coast Percussion takes primordial pounding into a completely distinctive new league. To be sure, in this Tiny Desk performance, they'll play their sophisticated, modern marimbas and vibraphones, but be on the lookout for the subtleties of tuned cowbells and 3/4" galvanized steel pipes, like those found at the local hardware store.

The #MeToo movement has been a cultural reckoning across industries, from Hollywood to restaurants — but one of the oldest that's been affected is classical music. In March, James Levine, a longtime conductor of the Metropolitan Opera in New York City, was fired for allegations of sexual misconduct. And now, centuries-old works from Carmen to Don Giovanni are being challenged for misogynistic plots and themes.

Don't call Thea Musgrave a "woman composer."

"When I'm composing, I'm a human being," she insists. "It's not a question of sexuality."

In a suit filed Friday by the Metropolitan Opera, five men have made newly public accusations against conductor and pianist James Levine, who was closely associated with the Met for four decades. In total, nine men have now come forward, either by name or anonymously, with accusations against Levine.

The myriad stories about Swedish soprano Birgit Nilsson usually fall into two groups: the ones about her enormous, laser-focused voice and those about her rapier-sharp wit.

gtmf.org

This week, the third annual Grand Teton Winter Music Festival brings together speakers and musicians for four days of music and culture in Jackson.

The winter festival is an expansion of the long-running summer music festival. This festival will feature Chicago’s Fifth House Ensemble, a fluid multi-instrument group.

This year’s festival highlights American contributions to classical music. “One of the reasons that we’re working with this group is because they’re very much championing new music – and new American music.

University of Wyoming Music Department

The University of Wyoming Symphony Orchestra starts a new season on Thursday evening. The opening concert is a reaction to the country’s current political turmoil and Wyoming’s budget cuts. 

UW Symphony director Michael Griffith says his goal is to make this season an uplifting one. He’s calling it a “Season of Joy.”

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